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Yoshimi Kato Kintaro  |  SKU: YMKT-G3TS-GY240

Yoshimi Kato Forged Ginsan Tsuchime Gyuto 240mm

Regular price $629.95

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Availability

  • St Peters, NSW —
    2 Bishop St, Unit 2, St Peters NSW 2044
  • Crows Nest, NSW —
    107 West St, Shop 1, Crows Nest NSW 2065
    Pickup only
  • Prahran, VIC —
    180 Commercial Road, Shop 1, Prahran VIC 3181
    Pickup only
Detailed Specifications
Line Yoshimi Kato Ginsan Tsuchime
Profile Gyuto / Chef's knife
Bevel Type Double Bevel
Weight 205 g | 7.2 oz
Edge Length 243 mm | 9 9/16″
Heel Height 52 mm | 2 3/64″
Width @ Heel 2.9 mm | 7/64″
Width @ Mid 1.9 mm | 5/64″
Width @ 1cm from Tip 0.9 mm | 1/32″
Steel Ginsan / Silver #3 | Stainless
Blade Construction Sanmai - Stainless Clad
Hardness (HRC) 60 - 62
Surface Finish Tsuchime
Handle Octagonal Ebony
Region Echizen
Best for
  • Pro chefs
  • Enthusiasts
  • Free shipping for knives over AU$200 Australia wide.
  • World-wide shipping via DHL Express, 3 to 5 days.


This Ginsan Tsuchime is an all rounder line that is packed with Yoshimi Kato’s personal characteristics, you can find his signature forging and sharpening, which leads to a thin blade with distal taper and incredibly smooth cutting bevel geometry. The elongated profile allows a lengthy, flat edge that is ideal for slicing. The polished Tsuchime look is reminiscent of the Yugumo line, one of the first series created by Kato san that can date back to the days when he just became independent along with Yu Kurosaki.

Thin blades have always been a characteristic of the Echizen makers, it is achieved by their unique forging technique where two billets are forged together. It allows blacksmiths to retain the heat better in each billet while extending them out further, which reduces the risk of the thin billet cracking under the hammer. One benefit you would get from the hand forged knives is the tapered spine, as blacksmiths can strike selectively on the billet to keep the tang of the knife thicker. This would give some weight to the tang and stiffen it, as the result, these hand forged blades are much more resistant to flexing and feels more solid in the hand compare manufactured blades with same blade thickness,,

These knives are paired with a concave grind that brings the bevel down to an extremely thin edge. Having a pretty thin body to begin with, these knives are some of the best tools you can access to cut through dense roots and large fruits. You could still see some grinding mark left on the bevel but is intentionally left for a rougher surface, which stops the moisture in the food creating a sealed vacuum over the concave bevel and reduces sticking. 

One small downside may be the Ginsan steel used by this line, as it is a steel designed to be easy to forge, easy to sharpen and very corrosion resistant, it is not particularly high in wear resistance. I shall say this line is oriented less towards the professional chefs but more for average users, and the pricing of these knives suggest that it is a pretty good option for home users to experience a hand forged-hand sharpened blade from one of the most renowned production hub of high end Japanese knives.

Pros Cons
  • Excellent performance
  • Thin behind the edge
  • Easy to look after
  • A little bit brittle
Care Instruction
  1. Don't cut hard things! Japanese knives are brittle so bone hacking is a NO NO!
  2. Wash with neutral detergent after use, and wipe dry;
  3. Please don't wash knife with dishwasher, it will damage the wood handle;
  4. Be careful not to leave the knife close to a heat source for a long time;
  5. It is a lot more dangerous to cut with a blunt knife than a sharp knife!
  6. It is best to sharpen a Japanese knife regularly on a waterstone.

Yoshimi Kato

Yoshimi Kato — The Master of Damascus in Takefu

Kato Knife Manufacturing Inc. is Yoshimi Kato's workshop in the Takefu Knife Village. Yoshimi Kato worked as a construction project manager before the trade. He married into the Kato family and apprenticed under his father-in-law Hiroshi Kato, one of the co-founders of Takefu Knife Village. He took over the smithy after five years and earned his traditional craftsman certification (伝統工芸士) in 2008. The workshop works in hand-forged Damascus and heat treatment of high-end steels.

Read more

Kato Knife Manufacturing, or カトウ打刃物製作所, traces back to 1948, when the Kato family first set up in what later became the Takefu Knife Village cooperative. Hiroshi Kato (加藤 弘), the second generation, spent over fifty years at the anvil and helped found the cooperative itself.

Yoshimi trained at the village alongside Yu Kurosaki and other smiths, and in 2018 he formally took over the business.

He is known internationally as the “Master of Damascus.” His Damascus patterns are multi-layered, and his heat treatment is consistent across a wide range of steels, from SG2 and VG10 to Aogami Super and Ginsan. Every step of production happens in-house.

The Kintaro and Kanehiro lines are made at the Kato workshop, and they have a following among cooks who want both looks and cutting performance.

“Echizen's master of Damascus — three generations of forging excellence from Takefu Knife Village.”

Est. 1948 | 昭和23年
Known for Hand-forged Damascus, masterful heat treatment of SG2 and Aogami Super
Website kato-knife-mfg.jp Read more about Yoshimi Kato

Yoshimi Kato · Echizen

Knife details

Frequently asked questions

Gyuto or santoku - which should I choose?

Both are all-purpose Japanese knives, and for most home cooks either will handle the bulk of daily prep. The choice comes down to length, blade shape, and how you like to cut.

A gyuto is the Japanese chef's knife - typically 210 to 240mm with a gently curved edge that lets you rock and slide through cuts as well as chop. The extra length and pointed tip give you reach and versatility, from proteins to large produce.

A santoku is shorter, usually 165 to 180mm, with a flatter profile and a rounded sheep's-foot tip. It rewards a straight up-and-down push cut, feels nimble in smaller hands or tight kitchens, and is the classic Japanese household knife.

Rule of thumb: choose a gyuto if you want one do-everything knife with more reach, or a santoku if you prefer a compact, easy-to-control blade. Plenty of our customers end up owning both.

What is a Gyuto, and what is it used for?

A gyuto is the Japanese chef's knife — a double-bevel general-purpose kitchen knife. The name literally means "beef sword," and it's still a fair job description: you use it to slice meat, chop vegetables, dice aromatics, and break down fish. If you own one good knife, this is the shape it should be.

Versus a typical Western chef's knife, a gyuto is thinner behind the edge, sharpened to a keener angle (roughly 15–18° rather than 20–22°), and usually made from harder steel — often above 60 HRC. That's what makes it slice so cleanly: less crushing, less tearing. The trade-off is a more brittle edge, so it asks to be honed and sharpened more attentively than a soft Western blade.

Blades run from compact 150mm to long 240mm, but for a home kitchen I'd start at 210mm — my sizing FAQ explains why.

What size gyuto should I buy?

In a home kitchen I'd pick a 210mm gyuto. It's the sweet spot: long enough for a full slicing stroke, short enough to stay nimble on a normal cutting board and easy to control while you're still building your technique.

Step up to a 240mm only if you regularly break down large cuts — roasts, whole fish, big vegetable prep. The extra length means longer strokes and fewer passes, but it also means more weight and a bigger board; if the tip is hanging off your bench you're fighting the knife, not cooking with it. If you're mainly doing vegetables and portions, the 240 gives you nothing you'll use.

For a first gyuto, buy a well-made stainless one around 210mm in the low hundreds. Traditional carbon steels (white and blue paper steel) cut and sharpen beautifully, but they rust if you leave them wet — learn one variable at a time. Better steel is step two.

240mm vs 210mm gyuto: which size should I choose?

Get the 210mm. We only point people to a 240mm when they have about 45cm of usable board, cook in volume, and regularly break down big roasts or whole fish.

On the gyutos we've measured for our product pages, the extra length is real. The 210s have a median edge of 213mm from heel to tip and the 240s 240mm. The 240s are also heavier, 195g against 163g at the median, and a touch taller at the heel, 51mm against 48mm. End to end a 240 runs about 39cm and a 210 about 36cm.

That length buys you a longer stroke. A 240 goes through a big piece of meat in one or two pulls and moves a board of chopped vegetables with less shuffling. It costs you board space and control. On a small board the tip hangs off the edge, and fine work like herbs and shallots feels like more knife than the job needs.

Japanese vs German kitchen knives — which should I buy?

If you want the sharpest possible edge and don't mind caring for a harder, more brittle blade, buy Japanese; if you want a tougher, more forgiving knife that can take abuse and be honed casually, buy German. Japanese knives, like the gyuto, are ground to a much sharper edge angle, typically 15 to 18 degrees compared to 20 to 22 degrees on a western chef's knife, and use harder steel that can exceed 60 HRC, which is why they cut with such precision but also chip more easily. German knives are softer and more ductile, so they resist chipping and bend rather than break, but they won't hold that razor-sharp edge as long.

A Japanese knife is not the right choice if you regularly cut through bones, frozen food, or hard squash, or if you're used to rocking the blade hard on a cutting board, that lateral stress and impact can chip the edge. German knives are the better everyday beater for heavy prep, but you'll trade away the effortless slicing and fine edge retention that make Japanese steel so satisfying.

The gyuto, literally "beef knife," is the Japanese take on a French chef's knife, with a flatter profile that suits push-cutting and slicing. That acute blade geometry is only possible because of the harder steel used, a typical western knife at 20 to 22 degrees would roll or dull quickly at 15 to 18 degrees, whereas the harder Japanese steel holds that finer edge. That's the core trade-off: hardness buys sharpness and edge retention, but it also makes the blade more brittle, so you need a gentler technique and a wooden or plastic board. For more on how these knives are built and what to look for, see the Knives and Stones Education Centre.

What is Ginsan steel, and why do some Japanese knives use it?

Ginsan steel, also known as Silver #3 or G3, is a stainless steel made by Hitachi Special Steel in Japan, containing 1.02% carbon and 13.75% chromium, and it is used in Japanese knives because it combines the sharpness and ease of sharpening of carbon steel with the rust resistance of stainless steel. It is a fine-grained steel that takes a very sharp edge, and at a hardness of 60-62 HRC, it offers a practical balance of edge retention and sharpenability for everyday kitchen use.

The name "Ginsan" (銀三) literally means "silver three," referring to its Silver #3 designation. Its moderate chromium content makes it far less reactive than carbon steels, so it won't discolor or rust as quickly, while its carbon content keeps the edge keen and responsive on the stones. For home cooks and professionals who want a stainless knife that still feels like a traditional Japanese blade, Ginsan is a common middle ground.

Yoshimi Kato knives — what are they known for?

Yoshimi Kato is known for hand-forged Damascus knives with thin geometry and strong cutting performance, working primarily in SG2 and Aogami Super steels from his workshop in Echizen's Takefu Knife Village. He is a certified traditional craftsman (伝統工芸士, earned 2008) and the third-generation blacksmith at Kato Knife Manufacturing, which was established in 1948. His reputation rests on precise heat treatment of premium steels and distinctive Damascus patterns.

Kato also produces knives for the Masakage brand. In recent years he has drawn inspiration from his friend Yu Kurosaki, another Takefu Knife Village smith, and developed newer designs such as the Hyo line. His new gallery and workshop recently opened next to Kurosaki's gallery in Takefu, reflecting the close creative relationship between the two makers.

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